電大動(dòng)畫概論期末考試復(fù)習(xí)題題庫及參考答案（問答部分）.doc

電大動(dòng)畫概論期末考試復(fù)習(xí)題題庫（問答部分）一、單選題 1、運(yùn)動(dòng)的形態(tài)在動(dòng)畫中的呈現(xiàn)方式是位移與（ 變形 ）。 （ 運(yùn)動(dòng) 變形 加速度 時(shí)間 ） 2、動(dòng)畫的作品形態(tài)有影像構(gòu)成和（ 聲音 ）構(gòu)成。 （ 立體 三維 虛擬 視覺 聲音） 3、立體動(dòng)畫的偶動(dòng)畫電影片是將立體形像逐個(gè)擺放姿態(tài)，然后用（ 攝影機(jī) ）逐格拍攝而成。 （ 3DS軟件攝影機(jī) 攝影機(jī) 攝像機(jī) 照相機(jī) ） 4、電視動(dòng)畫動(dòng)畫廣告片一般長1560秒，電影動(dòng)畫廣告片一般長（ 13 ）分鐘。 （12 23 24 13 ）5、法國人埃米爾.科爾用攝影機(jī)上的（ 停格 ）技術(shù)拍攝了世界上第一部動(dòng)畫系列影片幻影集。 （升降 旋轉(zhuǎn) 變焦 停格） 6、透明的賽璐珞片的發(fā)明，實(shí)現(xiàn)了（ 活動(dòng)形象 ）與背景分離的制作，大大提高了動(dòng)畫制作的表現(xiàn)力。 （ 動(dòng)物 活動(dòng)形象 人物 運(yùn)動(dòng)物體） 7、主流動(dòng)畫中的觀眾心理需求有（ 知覺快樂 ）、替代滿足、緊張刺激、審美升華。 （ 直覺快樂 精神振奮 曲折動(dòng)人 知覺快樂 ） 8、動(dòng)畫片畫面構(gòu)成包括美術(shù)風(fēng)格、構(gòu)圖和（ 動(dòng)作 ）。 （ 色彩 動(dòng)作 場景 立體 ） 9、設(shè)計(jì)稿一般有兩部分：一是人物（角色），二是（ 背景 ）。 （ 道具 背景 服裝 轉(zhuǎn)面圖 ） 10、原畫設(shè)計(jì)每個(gè)鏡頭的關(guān)鍵動(dòng)作，動(dòng)作所需要的中間過程由（ 中間動(dòng)畫 ）人員來完成。 （ 修形 著色 中間動(dòng)畫 動(dòng)檢 ） 11、動(dòng)畫片剪輯的內(nèi)容有：動(dòng)作剪輯點(diǎn)，從拍攝方法上找剪輯點(diǎn)，聲音剪輯點(diǎn)，（a ）等。（ a、情緒剪輯點(diǎn) b、色彩剪輯點(diǎn) c、膠片剪輯點(diǎn) d、磁帶剪輯點(diǎn) ）12、聲音剪輯點(diǎn)。以（ c ）、音樂、音效來作為剪輯點(diǎn)。（ a、歌曲 b、旁白 c、語言 d、特效 ）13、動(dòng)畫片的風(fēng)格形成主要依賴于： a、導(dǎo)演的風(fēng)格 b、( d )的風(fēng)格 c、敘事的風(fēng)格 d、音樂的風(fēng)格( a、動(dòng)畫 b、原畫 c、描上 d、美術(shù) )14、在所有的風(fēng)格中，（ b ）的風(fēng)格對動(dòng)畫風(fēng)格影響最大。（ a、劇本 b、導(dǎo)演 c、美術(shù) d、音樂 ） 16、1913年，第一家動(dòng)畫公司在紐約成立，拉武. 巴瑞精心為自己的動(dòng)畫片設(shè)計(jì)出一套 行之有效的（ b ），為以后的動(dòng)畫發(fā)展奠定了基礎(chǔ)。（ a、測試系統(tǒng) b、定位系統(tǒng) c、拍攝系統(tǒng) d、錄音設(shè)備 ）17、1914年, 美國人埃爾 . 赫德發(fā)明了透明的（ c ），實(shí)現(xiàn)了活動(dòng)形象與背景分離的制作，大大提高了動(dòng)畫制作的效率和表現(xiàn)力。 （ a、定位尺 b、繪圖板 c、賽璐珞片 d、繪圖紙 ）18、（ a ）是以觀眾和市場為目標(biāo)創(chuàng)作的故事類動(dòng)畫片。 （ a、主流動(dòng)畫 b、商業(yè)廣告動(dòng)畫 c、非主流動(dòng)畫 d、影院動(dòng)畫 ） 20、原畫（ C ）設(shè)計(jì)直接關(guān)系到未來影片的質(zhì)量，動(dòng)畫電影的獨(dú)立性正是建立在這一環(huán)節(jié)上，造型符號在此獲得生命力和性格。（ A、變形 B、物理力學(xué) C、動(dòng)作 D、表情 ）二、多選題 1、故事版包括畫面與文字兩部分，其畫面內(nèi)容有（ A B C ）鏡頭調(diào)度和光影效果等視覺效果。 （ A、角色運(yùn)動(dòng) B、景別大小 C、背景變化 D、音樂效果 ）2、錄音包括錄制（ C D E ）三部分內(nèi)容。 （ A、聲音 B、動(dòng)物叫聲 C、對白 D、聲效 E、音樂 ）3、中期創(chuàng)作階段（設(shè)計(jì)制作階段）這一階段內(nèi)容包括: 設(shè)計(jì)稿、（ A B C ） （ A、動(dòng)作設(shè)計(jì) B、動(dòng)畫 C、背景 D、描線 E、上色 ）4、中期創(chuàng)作階段的設(shè)計(jì)稿一般有兩部分：（ B D ）（ A、色彩設(shè)計(jì)稿 B、人物角色動(dòng)作設(shè)計(jì)稿 C、建筑設(shè)計(jì)稿 D、背景設(shè)計(jì)稿 ）5、動(dòng)畫應(yīng)該用挺、（ A ）、（ B ）、活的動(dòng)畫線條一張一張地畫出每個(gè)細(xì)小的動(dòng)作。 （ A、準(zhǔn) B、勻 C、硬 D、彩色 ）6、下面我國較著名的水墨動(dòng)畫片有( A B E ) 等。( A、牧笛 B、山水情C、三個(gè)和尚D、驕傲的將軍 E、小蝌蚪找媽媽 )7、動(dòng)畫作品的特性包括（ A D ）和獨(dú)創(chuàng)性。 （ A、綜合性 B、娛樂性 C、商業(yè)性 D、敘事性 ）三、填充題1、動(dòng)畫作品的特性包括綜合性、（ ）性和獨(dú)創(chuàng)性。 （ 敘事 ）2、Animate本意是（ ）， Animate Film意思是Film的影像是有動(dòng)畫藝術(shù)家創(chuàng)造的，是藝術(shù)家賦予本來（ ）的形象符號以生命力的電影。（ 賦予生命 沒有生命 ）3、世界動(dòng)畫歷史學(xué)家把動(dòng)畫誕生的時(shí)間定為1892年10月28日， （ ）是“動(dòng)畫之母”。 （ 艾米爾.雷諾 ）4、動(dòng)畫的視覺符號有具象的、非具象的、（ ）和虛擬的。 （ 立體的 ）5、動(dòng)畫片的聲音構(gòu)成主要有（ ）、（ ）和音樂。 （）6、實(shí)驗(yàn)動(dòng)畫是指那種帶有探索性的作品，從（ ）與（ ）上都有新的建樹或突破的作品。 （ 觀念 技術(shù) ）7、手翻書時(shí)，一些畫面快速連續(xù)或交替出現(xiàn)，畫面內(nèi)物體會(huì)發(fā)生真正（ ）的感覺，這是人眼的（ ）現(xiàn)象 。 （ 運(yùn)動(dòng) 視覺暫留 ）8、英國的史都華.布雷克頓1906年拍攝了在（ ）上做的滑稽臉的幽默相，用（粉筆）脫口秀做成了被公認(rèn)的世界上（ ）動(dòng)畫片。（ 黑板 第一部 ）9、1913年第一家動(dòng)畫公司在（ ）成立，拉武.巴瑞精心為自己的動(dòng)畫片設(shè)計(jì)出一套行之有效的（ ）。 （ 紐約 定位系統(tǒng) ）10、萬氏三兄?jǐn)z制了大型動(dòng)畫片（ ），片長80分鐘，是中國也是亞洲的第一部動(dòng)畫長片。 （鐵扇公主）11、動(dòng)畫中間張數(shù)比較少，動(dòng)作就會(huì)轉(zhuǎn)換得比較（ ）；張數(shù)比較（ ），就會(huì)顯得平穩(wěn)柔順。 （ 快 多 ）12、根據(jù)動(dòng)畫藝術(shù)兩種不同的傾向和藝術(shù)家的不同追求，動(dòng)畫可以分為（ ）動(dòng)畫和（ ）動(dòng)畫。 （主流 非主流）13、動(dòng)畫片的創(chuàng)作構(gòu)成包含四個(gè)方面：一般主題和內(nèi)容、（敘事結(jié)構(gòu)）、（.畫面構(gòu)成）和（聲音構(gòu)成）。14、動(dòng)畫片畫面構(gòu)成包括：（ ）、構(gòu)圖和（ ）。 （ 美術(shù)風(fēng)格 動(dòng)作 ）15、美術(shù)風(fēng)格的確定,對整部片子的風(fēng)格樣式起到重要作用。其中重要的一點(diǎn)，莫過于將各制作單元（ 統(tǒng)一 ）在一種風(fēng)格之中。 （ 統(tǒng)一 ）16、動(dòng)畫片構(gòu)圖原理包括兩個(gè)方面：（ ）構(gòu)圖原理（靜態(tài)），（ ）構(gòu)圖原理（動(dòng)態(tài)）。 （ 繪畫 運(yùn)動(dòng) ）17、 手翻書時(shí)，人們發(fā)現(xiàn)，一些畫面快速連續(xù)或交替出現(xiàn)時(shí)，畫面內(nèi)繪畫物體會(huì)發(fā)生真正（ ）的感覺。 （ 運(yùn)動(dòng) ）18、動(dòng)畫中一套流暢的動(dòng)作, 必須（ ）各個(gè)瞬間的動(dòng)作 , 即動(dòng)畫分解, 然后在合理的時(shí)間安排中表達(dá)（ ）。 （ 分解 合成）19、1895年，法國的盧迷. 埃爾兄弟發(fā)明了（ 電影機(jī) ），放映了著名的（ ）、水澆園丁, 電影正式誕生。 （ 火車進(jìn)站 ）20、英國的史都華. 布雷克頓1906年拍攝了在黑板上做的( ),用粉筆脫口秀做成了被公認(rèn)的世界上第一部( )。 (滑稽臉的幽默相 動(dòng)畫影片 )21、（ ），日本動(dòng)畫主要代表，日本新漫畫的創(chuàng)始人，被稱為“漫畫之神”。 （ 手冢治蟲 ） 22、中國動(dòng)畫的創(chuàng)始人為（ ）、( )和萬超塵 ，簡稱萬氏三兄弟。（ 萬籟鳴 萬古蟾 )23、（ ）就象原畫的助手一樣，要替原畫完成動(dòng)作需要的連貫（也就是中間過程動(dòng)畫），（ ）有時(shí)還要將所有的原動(dòng)畫進(jìn)行完稿（ ）。（ 動(dòng)畫師 高級動(dòng)畫師 謄清 ）24、格數(shù)是用來表示膠片上每一張單獨(dú)（ ），每一尺膠片包含（ ）個(gè)片格，放映機(jī)運(yùn)行速度是每秒鐘（ ）格畫面， 25幀動(dòng)畫時(shí)間的掌控是按這個(gè)速度估算的。（ 畫面 16 24 ）25、如果是先期錄音，就要在剪輯臺(tái)上與對白聲帶作( )；如果不是，就要作事后( ) 及音效。 ( 同步套片 配音 )四、判斷題 1、動(dòng)畫作品的構(gòu)成要素為活動(dòng)影像、故事和聲音。 （ 對 ） 2、立體動(dòng)畫一般有偶動(dòng)畫與電腦三維動(dòng)畫。 （ 錯(cuò) ）（ 實(shí)物動(dòng)畫 ） 3、戲劇式結(jié)構(gòu)講究“起、承、轉(zhuǎn)、合”，其中“合”是指結(jié)果圓滿。（ 錯(cuò) ）（ 是指結(jié)局 ）4、動(dòng)畫片的構(gòu)圖原理包括繪畫構(gòu)圖原理和運(yùn)動(dòng)構(gòu)圖原理。 （ 對 ） 5、轉(zhuǎn)面圖通常都有角色的正面、側(cè)面和45度斜側(cè)面的圖。 （ 錯(cuò) ）（ 和背面 ）6、美國迪斯尼公司在1928年制作的有聲卡通片蒸汽船威利是世界上第一部影院動(dòng)畫電影。 （ 錯(cuò) ）（世界上第一部影院動(dòng)畫電影是白雪公主 ）7、動(dòng)畫片的眾多風(fēng)格中，原畫的風(fēng)格對動(dòng)畫影響最大。 （ 錯(cuò) ）（是導(dǎo)演）8、動(dòng)畫片剪輯不能將聲音與情緒作為剪輯點(diǎn)。 （ 錯(cuò) ）9、電影制作都分為兩個(gè)部分：前期創(chuàng)作及后期制作階段。 （ 錯(cuò) ）10、宮崎駿是日本動(dòng)畫的主要代表，日本新漫畫的創(chuàng)始人，被稱為“漫畫之神”。（ 錯(cuò) ）（是手冢治蟲）11、故事版就是畫面分鏡頭劇本 （對）12、繪制故事板的最佳人選是原畫，原畫對電影知識(shí)了解透徹，最能體現(xiàn)其構(gòu)思與藝術(shù)追求。（是導(dǎo)演） （錯(cuò)）13、原畫也叫關(guān)鍵動(dòng)畫，不是制作動(dòng)畫片的核心。 （是原畫） （錯(cuò)）14、原畫必須將畫面線條全部畫到位，不能有任何毛刺和誤差。（可有謄清清稿）（錯(cuò)）15、動(dòng)畫就是負(fù)責(zé)畫出動(dòng)作的關(guān)鍵張。 （動(dòng)畫負(fù)責(zé)中間畫） （錯(cuò)）16、動(dòng)畫是用來填補(bǔ)原畫與原畫之間的過程動(dòng)作。 （對）17、一般來說，在規(guī)定時(shí)間內(nèi)動(dòng)作漸變距離小、每張動(dòng)畫拍攝格數(shù)多，速度就快，反之就慢。 （大） （少） （錯(cuò)）18、動(dòng)畫片的人物角色，在任何場合任何時(shí)候，都要保持其特征形象的統(tǒng)一。 （對）19、修形的主要工作是清稿，還要負(fù)責(zé)其它動(dòng)作銜接所需要完成的不足張數(shù)。 （ 不負(fù)責(zé)其它動(dòng)作銜接所需要完成的不足張數(shù) ） （錯(cuò)）20、動(dòng)畫，主要來完成原畫設(shè)定關(guān)鍵動(dòng)作瞬間所需要的中間過程張數(shù)。中間張數(shù)少，動(dòng) 作就平穩(wěn)柔順；張數(shù)多，動(dòng)作轉(zhuǎn)換就快。（ 張數(shù)少轉(zhuǎn)換快 ） （錯(cuò)）21、背景是角色活動(dòng)的陪襯與環(huán)境交代，一般要嚴(yán)格按照設(shè)計(jì)稿規(guī)定的景別、角度以及結(jié)構(gòu)框架繪制背景，但可以靈活地在規(guī)定范圍之外任意發(fā)揮。（ 決不能在規(guī)定范圍之外任意發(fā)揮 ） （錯(cuò)）22、傳統(tǒng)動(dòng)畫片拍攝方法與實(shí)拍電影故事片不同，動(dòng)畫片采用逐格拍攝。 （對）23 、實(shí)驗(yàn)動(dòng)畫是指那種帶有探索性的作品，從觀念與市場上都有新的建樹或突破的作品。 （ 技術(shù) ） （錯(cuò)）24、立體動(dòng)畫的偶動(dòng)畫電影片是將立體形像逐個(gè)擺放姿態(tài)，然后用3DS軟件攝影機(jī)逐格拍攝而成。 （ 攝影機(jī) ）（錯(cuò)） 25、所謂文藝批評，就是專門指對文藝作品中不能接受的地方進(jìn)行批評。（ 還包括能接受的地方進(jìn)行肯定贊揚(yáng) ） （錯(cuò)）26、天降美食是立體偶動(dòng)畫片（ 3D軟件動(dòng)畫片） （錯(cuò)）五、簡答題1、請回答動(dòng)畫的本體特征有哪些？ 技術(shù)特性、工藝特性、審美特性、多元性、時(shí)尚性、假定性2、動(dòng)畫作品的敘事方式有哪幾項(xiàng)？ 小說式、戲劇式、紀(jì)實(shí)式、抽象式3、簡答動(dòng)畫作品的分類？ 產(chǎn)業(yè)動(dòng)畫片 實(shí)驗(yàn)動(dòng)畫片 廣告動(dòng)畫片 科教動(dòng)畫片 與真人合拍的動(dòng)畫片4、中國動(dòng)畫創(chuàng)始人是那些人？他們最早的動(dòng)畫作品是什么？ 是萬籟鳴、萬古蟾、萬超塵。他們最早的動(dòng)畫作品是一分鐘動(dòng)畫廣告片舒振東打字機(jī)。 5、簡答主流動(dòng)畫的有哪幾項(xiàng)創(chuàng)作原則？ 善惡法則、英雄法則、喜劇法則、幻想法則、時(shí)尚法則。 6、動(dòng)畫片音響包括哪些內(nèi)容？ 自然音響、動(dòng)作音響、機(jī)械音響、特殊音響（虛擬音響）7、主流動(dòng)畫一般應(yīng)該滿足觀眾的哪些心理需求？答：（1）知覺快樂 （2）替代滿足 （3）刺激緊張 （4）審美升華8、列舉主流動(dòng)畫創(chuàng)作法則中英雄法則的幾種觀眾心理狀態(tài)答：企盼英雄 崇拜英雄 效仿英雄 關(guān)注英雄 角色置換9、動(dòng)畫片敘事結(jié)構(gòu)中的戲劇式結(jié)構(gòu)講究“起承轉(zhuǎn)合”，請說一下“起承轉(zhuǎn)合”各為什么意思？答：“起”就是故事的開始， “承”就是故事的發(fā)展， “轉(zhuǎn)”就是故事的逆轉(zhuǎn)即高潮，“合”就是故事的結(jié)局。 10、簡答前期策劃階段中造型設(shè)計(jì)的任務(wù) 答：* 角色的標(biāo)準(zhǔn)造型 * 轉(zhuǎn)面圖（正面、側(cè)面、背面） * 結(jié)構(gòu)圖 * 比例圖（角色與角色、角色與景物、角色與道具間的比例） * 服飾道具分解圖 * 形體特征說明圖 * 口型圖11、場景設(shè)計(jì)包括哪些范圍？答：色彩氣氛圖、平面坐標(biāo)圖、立體鳥瞰圖、景物結(jié)構(gòu)分解圖等等。 六、請你根據(jù)本課程所學(xué)知識(shí)，選擇一部動(dòng)畫賞析課上看過的動(dòng)畫片，寫一篇觀后感。要求不低于500字。請您刪除一下內(nèi)容，O(_)O謝謝！2015年中央電大期末復(fù)習(xí)考試小抄大全，電大期末考試必備小抄，電大考試必過小抄Shanghais Suzhou Creek has witnessed much of the citys history. Zhou Wenting travels this storied body of water and finds its most fascinating spots. Some lucky cities can boast a great body of water, like London with the river Thames and Paris with the river Seine. Shanghai is privileged enough to have two great bodies of water: Huangpu River and Suzhou Creek.Huangpu River became famous when colonists established clusters of grand buildings on its banks on what became known as the bund. Today, the bund overlooks the breathtaking skyline of Lujiazui financial district. Shanghais other body of water, however, Suzhou Creek, has been somewhat overshadowed. Suzhou Creek links the inland cities of Jiangsu province with Shanghai. When the British colonists, who arrived in the city after it was opened as a commercial port in 1843 found they could reach Suzhou, Jiangsu province, via the creek, they named it Suzhou Creek. Thanks to its location, a large amount of cargo and travelers were transported via the creek before rail links were established. But after a century of being utilized as a waterway to transport goods and labor, the creek grew dark and smelly. Industrial factories were established along the banks. In the 1990s it became a key task of the city government to clean the creek. Suzhou Creek, which snakes 17 km from the iconic Waibaidu Bridge downtown to the outer ring road in west Shanghai, maps the changing periods of the citys history, including the imprints of the concessions, the beginning of industrialization and the improvement in peoples living conditions. Where the Bund began In-between the shopping street of East Nanjing Road and the Bund, are a cluster of streets that give me the illusion that I am no longer in modern Shanghai. The streets are narrow and old and criss-cross each other. Any old residential house may turn out to be a former office of the British, constructed in the 1880s. Pawnshops and hardware stores that are hard to find elsewhere, are plentiful here. This area, at the confluence of Huangpu River and Suzhou Creek, is called the Bund Origin. Countless tour buses stop at the site every day and visitors from around the world get off to see this place, the starting point of the concessions in the city. It all started in 1872, when the former British Consulate General was constructed and the Bund began its transformation into an the financial street of the East. Now the site of the former consulate is called “No 1 Waitanyuan”, which translates to “the Bund Origin”, to honor its beginnings. The entire complex of this historical site comprises of five buildings, the former British Consulate General, the official residence of the consul, the former Union Church, the church apartments and the former Shanghai Rowing Club. The size of the courtyard is equivalent to that of four standard soccer fields. The building of the former consulate is a two-storey masonry building on an H-shaped plan in typical English renaissancestyle. The building is designed with a five-arch verandah on the ground floor with a raised terrace facing the garden, while the facade features an entry portico beneath a colonnaded loggia. It has been turned into a caf where dinner and afternoonteaare available. Visitors can choose to sit indoors or outdoors to enjoy the magnificent gardens with nearly 30 ancient trees.Yuanmingyuan Road behind the complex is also a historical site. The road has been revamped as a pedestrian shopping street and high-end brands have seized the best spots. Altogether, 14 old buildings, including those used for offices and residences constructed during 1920s and 1930s, remain. Today, it is a popular location for commercialfashionphoto shoots. New Tianan Church, or Union Church, stands at the intersection of Yuanmingyuan Road and Suzhou Creek. The church, designed in the style of the English countryside, has a capacity of 500 people. It was very popular during the concession period but was converted into factory offices after 1949. The church we see today is a replica, the original burned down in 2007. There used to be an outdoor swimming pool, the first of its kind in Shanghai, beside the church but has been filled-in and is now a small garden. Bridge of romance There is perhaps no other place thats more representative of Shanghai than this bridge, which appears in quite a lot ofmovies about the city. Dozens of couples visit every day to pose for their pre-wedding photos on the bridge where Suzhou Creek begins and interconnects with Huangpu River. This is Waibaidu Bridge, or the Garden Bridge. The soon-to-be-wed couples pose in splendid attire on the bridge, leaning against the railing or sitting on the wooden floor. Some even risk walking into the middle of the road to get the perfect shot.Colorful lights illuminate the bridge throughout the night, making it a picturesque place for pre-wedding portraits and lovers to meet. Constructed in 1873 and designed by a British company, the 106-meter-long bridge was the first-ever major bridge in Shanghai. In 1856, the first large wooden bridge, Wells Bridge, was built over Suzhou Creek but the bridge toll led to complaints from citizens. So 17 years later, another wooden bridge, which did not require tolls, was built. People called it Waibaidu, which means “going across for free”. The bridge was renovated as a steel truss structure in 1907. Because nearly 40 bridges have now been built over Suzhou Creek, the bridge is no longer a traffic artery but is more of an observation deck for tourists. It is a tradition in Shanghai for a grandmother to walk across a bridge with their grandchild when he or she reaches one month. This represents that the newborn has overcome all the twists and turns and its journey will be safe and smooth throughout his or her life. Waibaidu Bridge is always the best option because its the icon of Shanghai. The picture of my daughter when she was a baby held by her grandmother was also taken here. Its like a family tradition, says Wang Xuefen, a Shanghai native who has a newborn grandson. Changning Riverside There is a 5-km stretch of waterfront by Suzhou Creek in Changning district on Changning Road from the intersection of Hami Road to Jiangsu Road. It has become a popular place to take a walk and sunbathe on the lawn. There is an overpass at the intersection of Changning Road and Gubei Road for people to enjoy the view of the creek and a 3-km plastic runway on both sides of Changning Road, which attracts people of all ages, Chinese and expat. Jogging on the two sides gives a different feeling because the north side is next to the creek, and the south side is adjacent to the residential highrises, which is like jogging in the jungle, says Xiao Xu, a 27-year-old woman who lives nearby. The riverside used to be completely different. Dozens of textile mills, chemical plants and machine manufacturing factories were set up along the creek in the 1920s. They brought industrialization but also pollution. From the 1930s the creek could no longer be used as a source for tap water, and no living fish or shrimp could be found. Suzhou Creek in my memory is dark and smelly. I used to go to the riverbank to watch the sewage disposal running out from the chemical plants when I was a little girl. We didnt know it was pollution. We thought it was a red waterfall, says Huang Qi, a 57-year-old Shanghai resident. So the residential houses along the creek were unpopular, and only migrants with low incomes would live in that area, she says. However, things have changed. The plants were closed and turned into riverside parks and the apartments in the new highrises, especially those facing the creek, are much sought after. East China University of Political Science and Law This is the famous former Saint Johns University, Chinas first-ever modern institution of higher education established by missionaries from the United States in 1879. The buildings combine Chinese and Western elements. Address: 1575 Wanhangdu Road, Changning district The old residential area After you leave the university from its east gate you will enter a shabby neighborhood that retains its original look. The alleys are narrow and the houses are overcrowded. Some things have not changed for many generations, such as raising chickens at home. Address: West Guangfu Road Moganshan Road This is anartsy street that has become very popular among artists and fashionistas in recent years. Graffiti covers the walls on the winding street, where you can find a cluster of art galleries and creative industry offices. Sihang Warehouse Four banks jointly funded the construction of this warehouse, so it is named sihang, or four banks. The warehouse, built in 1931, was used for the storage of food, first-aid supplies and ammunition during the years of war. The building, which is also a masterpiece left by the Hungarian architect Laszlo Hudec in the 1930s, has been recently transformed into a center of creative industry workshops. Address: 1 Guangfu Road, Zhabei district